At the very beginning of this endeavour the most important question was asked right at the very start: What DAW?
Having used Ableton’s Live for three or four years and Cubase for a year before that, Live was certainly the obvious choice. Sadly this genius software comes in at £300 so the knee jerk reaction no. A quick shout goes out to the Fwonk* collective and Heskin comes back with the suggestions of Reaper.
Cockos Reaper has been going from strength to strength in recent year from an (apparently) fairly simple and iffy start it has from a large and enthusiastic following as a fully fledged MIDI and audio handling DAW. Top of its selling points is its price, $60 (with a couple of stipulations that mean that if you are Madonna or Simon Cowell then it costs $225.) The other great thing is that the 30 day trail that you can download is actually the complete and unrestrained version of the DAW, not a limited and annoying half arsed version of it.
I used it to put together a couple of tunes for my Perniciem project and it works really, really well. I didn’t attempt anything fancy with it to be honest, purely programming midi via the piano roll, chucking in the VSTs and automating various elements. The problem I had was the ‘flow’ of things. This isn’t entirely Reapers fault. At the moment 80% of my music making is done on my laptop at work during lunch. After I’ve made and eaten my Marmite crackers and given my lady-wife a ring that gives me exactly 37 minutes to get on and make some noise.
What I don’t have time to do is figure out a brand new DAW. Especially as I have trained myself in the way of Live, i.e. point at some thing and right click it and make it happen. This isn’t the Reaper way, I suspect Reaper has more in common with ‘proper’ DAWs like Cubase and Logic and FL Studio which I’m sure is a good thing if that’s the way you like to work.
I however like the Live way of working, it just kinda ‘works’.
I am not in any way knocking Reaper, I reckon it must be the best ‘My First DAW’ around, it looks great and I am told is capable of everything the big boys are (minus the massive lump of bundled samples) and if you learn its workflow as the work flow defacto then all would be well in the world.
But for me, to unlearn all I learned in Live was not ideal.
This got me looking in to the availability of second hand Live Licences and in three weeks of looking I only found one. It was on Sound on Sound’s ‘readers ads’ bit. Well worth a look actually quite a few bits that you won’t get on eBay there. But the chap was selling it as a bundle with some other stuff I didn’t want or need. I think the general consensus is that once you have Live then you stick with it and just upgrade.
Next step was to look at Live Intro, the cut down version. At £89 it had me sold. Okay so you are limited to 6 VSTi per project and only 6 VST effects per project but there’s always work arounds, the freeze function is still enabled and so worst ways, bounce down the track and load into a new project, no massive hardship I reckon. And so it was that as I when to click on the add to basket button I spotted something good. Something very tempting..
Ableton 7. Old stock. £189.00… Hmmm..
I spent a week trying to make up my mind, 200 quid is a LOT of money to spend in one go for me. But then I got to thinking about this properly. The DAW is the hub, the epicentre of your potential musical magnificence! By the time one has finished buying mixing desk, VST and VSTi, stomp boxes for guitar, leads, keyboard, synth and all the other extra gubbins you can get then it’ll all have added up to more than £200. Surely it makes sense to spend the money on the thing that connects them all, even if it is to the detriment of the fancy extras you had your eye on.
There’s no reason why Live 7 couldn’t last me for years. If I don’t have to upgrade for four years then it’s still less than fifty quid a year, my old website and domain was 60 quid and I knocked that on the head this year! Decision made I dived back onto my new best friends DV247’s website and placed my order. And got the last copy available!
It arrived last week. It’s a big box, nice thick manual (maybe I can finally learn the right way to do things) and stickers. Stickers! Woohoo!
So in conclusion: I think I would say that while I could have been very happy with the really quite brilliant £30(ish) Reaper had I had the time or inclination to change, I got lazy n spunked an extra £150. Glad I did it though, have been smiling all week.
Also that patience is a virtue…
NEXT WEEK: The cheapest Analogue Synth out there (hopefully with audio clips).