This is the rally of the drums in the revolution, it’s the rave of the apocalypse. In short, it sounds like the sky is being torn apart.
Acoustic and folk instruments (or at least samples of them) weave and intertwine simple melodies and harmonies, delays build, and cavernous echoes rebound.
Over twelve months, twelve Fwonk* artists were put to the test in this experimental single-track album based on the popular children’s ‘Telephone Game’.
hxw hxw paints landscapes depicting the tortured spectrum of a broken mind, from aggression to indifference to loneliness to anxiety, entirely created using manipulated samples from anime.
Phirnis gives us his first solo release in 2 years. While many of his previous offerings were all about noise as ambient drone, this one is about noise as a process.
How do you like your instrumental hip-hop? Woozy, wonky and off-kilter? Phatter than your momma? Then you’re going to love Cherry by Optms.
Dreamy, saccharine vocals clash with socially acerbic lyrics in this misanthropic single written especially for the Holiday Season.
Presenting two previously unreleased tracks taken from the Sleepers/Apnoea sessions, in which a musical motif is torn in two directions.
3dtorus’s last ever release brings one hour of exceptional bass and beats featuring the vocals of Jill Beaulieu of Meter Bridge and the guitar of Project 2021.
Musique-concrete party crashers hxw hxw round off their ‘narcissus…’ era with a full-length remix album. This LP compiles all previous b-sides alongside several new tracks, including ‘lullaby of the portcullis’, an 8 minute monster comprised only of samples of video game deaths.