ktfu – or kill the fucking urge if you’re not into the whole brevity thing – lands with his debut album, which merges industrial music, synth pop cyber metal and more into a cohesive whole.
Over twelve months, twelve Fwonk* artists were put to the test in this experimental single-track album based on the popular children’s ‘Telephone Game’.
hxw hxw paints landscapes depicting the tortured spectrum of a broken mind, from aggression to indifference to loneliness to anxiety, entirely created using manipulated samples from anime.
Once again the denizens of Megacity Fwonk rise up and make a mess of things while Judge Heskin is out bringing the law to the Cursed Earth.
…otherwise known as the boss was away on hols so we got together and made this while he was away.
Celebrating 8 years to the day of our very first release, Netklang #1 brings together some of the very latest Fwonk* artists with some of the old timers.
Presenting two previously unreleased tracks taken from the Sleepers/Apnoea sessions, in which a musical motif is torn in two directions.
Musique-concrete party crashers hxw hxw round off their ‘narcissus…’ era with a full-length remix album. This LP compiles all previous b-sides alongside several new tracks, including ‘lullaby of the portcullis’, an 8 minute monster comprised only of samples of video game deaths.
Downtuned guitars are shredded, growling vocals are processed and Numanesque synths build an intense atmosphere of industrial decay and a cybernetic reality.
In their second full-length split LP, Phirnis and Katarrhaktes collaborate to bring you the unsettling Apnoea; seven sleep-deprived tracks of industrial/ambience which slip between modes of melody, musique concrete, and extreme electronic dissonance.
EXOBATCH brings his trademark distortion and grind to the dancefloor, with 24. A classic groovy tune featuring analog synths, pounding drums and ghostly vocals. Remix duties are by Heskin Radiophonic.