In between collaborative projects, Phirnis gives us his first solo release in two years, the playful 2 Remixes by Phirnis. While many of his previous offerings were all about noise as ambient drone, this one is about noise as a process.
Insane, damaged, schizophrenic. Cardigan of Wasps takes a turn for even darker waters in the filthy noise-industrial mechanical monstrosity Goreshit Roadkill. The five unconventional remixes on this EP hack the original song to pieces, reassembling its remaining flesh and bones into beautiful depictions of ugliness.
Sakura Swarm: concept, composition, synth, bass, mix, artwork, additional percussion
o terceiro invisível: percussion, additional ambience
Dr. Decker: plugs & pedals, arpy stringed instruments, chuggy bits
April Anthrax: saliva
Studio Ersatz: ear-splitting noise
hxw hxw is an experimental, conceptual project that takes its name from the Greek nymph Ekho, who could only being able to repeat words spoken to her, her own voice stolen away in a curse.
Created only using audio samples gleaned from entertainment media such as film, television, and video games, narcissus stripped bare by our own eyes, even questions the vanity of a consumerist lifestyle on which we are growing ever more dependant. Appropriating the mythological Narcissus as an extended metaphor for a self-referential escapist society, hxw hxw also challenges the onanistic practices of art itself and its legitimacy in the contemporary world.
high dart went part way back to the roots and part way to space. The sound of 809 is spacey-rough,
trippy and sometimes there’s a little glint of well-camouflaged cheesiness. and guitars!
while the LP emerged, a lot of synths were oscillating. what else should they have done?
So, 809 is a four dimensional object. To us nothing but a lot of time slices. It can be seen as a tram that takes you down a 40 minute long route through 11 zones inside the abstract. Sometimes it appears spooky, especially if you spend enough time at the terminus of 809.
Here it is, the second album of Berlin based electro pop artist Lie Craze, five years after the release of her positively reviewed debut album “Never Played With The Cool Kids” in 2009.
Lie Craze’s music has often been described as both catchy and honest, musically and lyrically. “Lyrics are very important to me. When I hear a catchy pop tune but the lyrics are just that same outworn sentence about love or la la la all the time I get really upset over the waste of a good idea.”
On this album Lie Craze kept the attitude of being a punk rock singer in her teenage years, the songs are hardly longer than 3:30 minutes and she couldn’t care less about any (genre) standards or formalities. But at the same time she kept an eye for details and melodies. “Maybe these 9 years of violin lessons I got as a little kid weren’t completely worthless.”
If you want to describe the sound of the album you need to look closer than just skipping into the first tracks. Starting with the hymn-like opener “Care For Yourself”, over more club and dance orientated songs like “Wise Girls” and “Dictionaries” to pensive songs as “Home Without Her” or the kinda-rap song “Love From The East”.
“I didn’t want to have the same sound in every song. I love the Berlin techno scene and of course it influenced my work. But growing up as a small town emo kid who spent most of its life heartbroken and in a constant state of rebellion, words and diversity still mean a lot to me. It’s good to stay open-minded and try something new without the need of tagging a label on it instantly. My music is not too experimental as I still aim to do pop music, but I think it stands out. What basically sums up my life: too weird for the normal and too normal for the weird people.”
Most songs on “We won’t ever be saved here” were formed with bumbovsky, who already did two remixes on her first release. Mixing and mastering has been done by Almark. “This album would not exist without the help of these two highly skilled and talented people. My debut album was almost entirely made as a one-(wo)man-production, but this one got a lot of help from my talented friends and I think it enriches it a lot.”
Every milestone is just as important as the last, no mountain is too high to climb. For this, our 150th release on the label, we present to you a new compilation featuring 12 exclusive new songs and mixes from our artists, including 3dtorus, Antti Tammimaa, echosonic, Heskin Radiophonic, hxw hxw, Katarrhaktes, Quiggers, and we are not broken. Here’s to 150 more to come! Cheers!
[soundcloud url=”https://api.soundcloud.com/playlists/145664585″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”300″ iframe=”true” /]
from the now derilict fine worsted mills of huddersfield, west yorkshire, comes circle of squares.
we have, sir sidney rough diamond on beat duties, lofi earnie playing dominos and the fist of cheese throwing shapes in the corner.
music to dance and chill to.
music to laugh and cry to.
music sweet music.