Azureflex / Bipolar Bear
A short blast of fun 8-bit sounds, brought up to date, particularly in the stand-out last track. 8-bit music obviously often sounds familiar, but this is an exceptional quality EP within the limits of the genre.
Man Watching the Stars / Dusk
An intense ambient album of orchestral drones created with violin and effects. This album is deep, involving and technically brilliant.
Crowns / Disk of Dust
An album of the future, as envisioned from the past. This album is a fantastic recreation and homage to the music of late 70s and early 80s science fiction movies, and principally the work of Vangelis. Full of lush, retro synthesis, this album is originally unoriginal but sounds fantastic.
Lorn / The Maze to Nowhere (part two)
This is an all too brief golden treasure of lo-fi, hip-hop fused ambience. Mixing crisp, spare beats with woozy, analogue, distorted synths this album is suffesed by a fuzzy saturated sound. The added ghostly vocals on the first track is a huge pleasure too – it sounds like Boards of Canada jamming with My Bloody Valentine to make hip-hop.
Zeke Beats / Pay Attention
Another fine record from Saturate Records, this combines elements of trap, hip-hop, EDM and chiptune to fine effect. The riffs aren’t the most original, but the production is stand out. You need huge bass bins to hear this music – you will literally miss 40% of the music if you listen through laptop speakers!
Ghost / A Tale of Life in VI Parts
Some good old fashioned instrumental hip-hop, this bears comparison with the likes of DJ Shadow. 6 tracks of acoustic drum beats, piano riffs and good old fashioned dialogue samples.
We here at Fwonk* love Bandcamp. We feel that it is currently the best, free, social platform for musicians to release their music and get it to a wider audience. MySpaces have come and gone, Facebook is bugger all use for musicians, Twitter doesn’t offer album downloads and the Internet Archive hasn’t moved on since 2002.
Soundcloud is fantastic, but unless you fancy spending lots of money getting extra space, it is rather limiting. Bandcamp, however, offers unparrallelled features for musicians. And when we say unparrallelled, we mean no-one else has bothered to do any of this!
For instance, the ability to ask for a donation for your music, rather than giving it away (or charging lots of money that no-one will pay). Or the fantastic analytics monitoring for all you stat g33ks out there.
Here at Fwonk* all of our latest releases are made available via Bandcamp, and we are offering a new solution for artists releasing music on Fwonk*, whereby the artists Bandcamp site becomes a Fwonk* site with a few easy mouse clicks and keystrokes.
But what do you think, readers? What’s your favourite social site for music? Let us know in the comments.
By the way, do people still use words like ‘whereby’ or am I reading too many Victorian novels?