The bizarre Cuckoo Spit’s debut on Fwonk* is a twisted, bi-polar trip to a world smothered in rainbows and rotting entrails. Using only the manipulated human voice, the mini-album Salmon Custard is in flux between candy coated naivety and darkly humorous innuendo.
The third part of our week of FWONK*100 celebrations presents a series of experimental audio manipulations of organic, acoustic improvisations. Kid Feardive – aka Cagey House – brilliant weaves his own acoustic recordings of pianos, banjos and more into a stunning sonic collage.
Cirix’ second EP on Bubblectro and Fwonk*, a playful and masterful lesson in glitch with electro sensibilities. For more from Cirix and his fellow creative geniuses, head to www.fwonk.com
credits: produced and performed by R. Nash (2012). Mastered by John Sutherland at Distorted Science. Cover by metaFORMA
Stemfour’s musical journey into all things UFO is a spacey, considered masterpiece.
credits: written and produced by R. Duncan (2012). Mastered by John Sutherland at Distorted Science. Cover by metaFORMA
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i have a box‘s debut release on Bubblectro – an eclectic and often electric collection of four songs that fuse genres to great effect.
credits: all composition, performance, production and mixing by C Ritchie (2010). Mastering by John Sutherland at Distorted Science. Artwork by Derek Pearson
The Le Kói project was birthed sometime in 2010, after a vivid dream. After a long quest of successes, failures, fallouts, field-recordings, field-recording failures, isolation booths, interviews, and sleep deprivation marathons; he discovered a fitting way to create his understanding of “electronic” music. Second Story is ideas, thoughts, flashbacks, free-format experiment, and associations. All tracks are compiled to audio form with field-recordings, MIDI signals, keyboards, and computers.