FWONK*
The debut EP from this experimental three-piece combines the lush vibes of synths and cool tones with rock influences. The Sequence comes across like electro folk – turn the lights off and the music up.
credits: written and produced by N. Shaffer, C. Ritchie and F. Montignani (2010). Mastered by John Sutherland at Distorted Science. Artwork by Derek Pearson
download: bandcamp | archive.org
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i have a box‘s debut release on Bubblectro – an eclectic and often electric collection of four songs that fuse genres to great effect.
credits: all composition, performance, production and mixing by C Ritchie (2010). Mastering by John Sutherland at Distorted Science. Artwork by Derek Pearson
download: bandcamp | archive.org
Rooted in Uganda but translocated to the Isle of Man, Dwain and Wayne Underslap, as the sublime Wet Cock, bring to the world of music a refined product of extreme talent fused with an almighty presence that is impossible to ignore. This debut release from the brothers, punchmereallyhardintheface, mixes traditional soft rock sensibilities with extreme rock violence. This is music. This is Wet Cock.
Produced, mixed and mastered at Camp Cock.
download: bandcamp
Sickmoth fell over and this new thing happened. Mostly recorded live, sequenced, a little programming here and there, *i have a box* is born with this first release, Bunnies.
It was mastered by John Sutherland at Distorted Science and the cover artwork was by Tomputer.
download: archive.org
Gritty, glitched loops, synths and pads combine with soaring melodic lines, with programming, live play and guitars by Sickmoth. Vocals on ‘Fwibes’ by Tom Petter Hansen. Mastered by John Sutherland. ‘This Might Hurt’ previously released on the Framework compilation by A-Frame Media.
download: archive.org